Plato states that knowledge is a recovery or remembrance and that the onlyArt as Philosophy
In a
sense, imitation and representation are not merely a second version or
a copy.
They are recognition
of the form. However by imitating, one does not just reproduce.
This imitation
evolves due to the spectator involved and what that spectator brings to
the imitation—a
wealth of possibilities and unlimited representation.
Nor
should we imagine that Plato's perfect types do not encompass all possibilities
of nuanced
difference. So small a change or improvement on an "original" may
actually bring
the reproduction closer to the ideal.
Nancy Snavely
Vsar 422 1999